How pricing works.
Not a rate card — a logic. Numbers come from a conversation about your film; this page explains what moves them.
Judgement, not generation. The generation is the cheapest part of the schedule; the edit, score, grade and the discipline to kill thirty-nine images out of forty are where the fee lives — and where the film does.
Runtime and versions. Usage and media (a film that airs everywhere costs more than a film for one channel). Exclusive characters. Speed — days instead of weeks is possible, and priced as the advantage it is.
Location count, cast size, weather, night shoots, travel — the arithmetic that used to kill ideas. That's the point of the house.
You approve a finished film, not a treatment's promise. Nothing is locked, so notes are notes — not reshoots. The version you see Tuesday and the version that airs Sunday can be different films.
For a number: one email with your idea, media plan and date — hello@kyastudios.com